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Shooting Cameras for Peace: 

Youth, Photography, and

the Colombian Armed Conflict

Disparando Cámaras para la Paz:

Juventud, Fotografía y

el Conflicto Armado Colombiano

As a young Fulbright scholar in Bogotá determined to democratize the photographic gaze and bring new visions and voices to public debate about Colombia’s armed conflict, Alexander L. Fattal founded Disparando Cámaras para la Paz (Shooting Cameras for Peace). The project taught photography to young people in El Progreso, a neighborhood on the city’s outskirts that was home to families displaced by violence in the countryside. Cameras in hand, the youth had a chance to record and reimagine their daily existence.

Shooting Cameras for Peace / Disparando Cámaras para la Paz is a penetrating look at one of Latin America’s most dynamic participatory media projects. The haunting and exuberant photographs made under its auspices testify to young people’s will to play, to dream, and to survive. The images bear witness to the resilience and creativity of lives marked by a war that refuses to die.

With text in English and Spanish, Shooting Cameras for Peace / Disparando Cámaras para la Paz makes vital contributions to studies of collaborative media, photographic activism, and peace and conflict in Colombia. Fattal’s insightful text offers critical reflection on the genre of participatory photography and the structural challenges faced by similar media projects.

Harvard University Press (Peabody Museum Press), 2020, translated by Andy Klatt and María Clemencia Ramírez, afterword by Doris Sommer

“The haunting photographs in Shooting Cameras for Peace will leave you unsettled and moved. Alex Fattal’s ethical and political commitments are boldly present, even as he submits the terms of his own initiative to searching, critical examination. This is an example of engaged anthropology at its best.”

 

“Las inquietantes fotografías de Disparando Cámaras para la Paz lo dejarán perturbado y conmovido. Los compromisos éticos y políticos de Alex Fattal se hacen patentes, incluso cuando somete los términos de su propia iniciativa a un examen escrudriñador y crítico. Este es un ejemplo óptimo de la antropología comprometida”.

KAREN STRASSLER,

author of / autora de Demanding Images: Democracy, Mediation, and the

Image-Event in Indonesia

 afattal@ucsd.edu

9500 Gilman Dr. 0503, San Diego CA 92093

© 2020 Alex Fattal